Mark
2006-06-15 14:16:41 UTC
In reply to Martin's post of May 14:
Bravo, Martin. Well said, especially your last paragraph. It's taken me
2 weeks of lurking to work all the way through this thread, as I
haven't contributed to this newsgroup in some years. The point about
the fortepiano and the modern grand is well taken - they couldn't be
more different from each other. In this matter, I have always agreed
with Mr. Bakker. The harpsichord dates from a quieter, gentler time.
Think: no jets overhead, no fire sirens, police chases, iPods.
Harpsichord technique and playing, like every instrument, is deeply
personal. I was extremely lucky to have had an excellent teacher when I
was young (Isolde Ahlgrimm) who taught me the "soul" of harpsichord
playing. For those who think harpsichord playing/listening is boring,
again, I agree with Sybrand - you just haven't heard the right
harpsichordist. To my ears, Bach and Buxtehude don't work well on the
modern grand. For giggles, look up Glenn Gould's recording of Byrd and
Gibbons on his piano and you'll get the idea.
Best regards,
Mark
Bravo, Martin. Well said, especially your last paragraph. It's taken me
2 weeks of lurking to work all the way through this thread, as I
haven't contributed to this newsgroup in some years. The point about
the fortepiano and the modern grand is well taken - they couldn't be
more different from each other. In this matter, I have always agreed
with Mr. Bakker. The harpsichord dates from a quieter, gentler time.
Think: no jets overhead, no fire sirens, police chases, iPods.
Harpsichord technique and playing, like every instrument, is deeply
personal. I was extremely lucky to have had an excellent teacher when I
was young (Isolde Ahlgrimm) who taught me the "soul" of harpsichord
playing. For those who think harpsichord playing/listening is boring,
again, I agree with Sybrand - you just haven't heard the right
harpsichordist. To my ears, Bach and Buxtehude don't work well on the
modern grand. For giggles, look up Glenn Gould's recording of Byrd and
Gibbons on his piano and you'll get the idea.
Best regards,
Mark